OPERA AND OPRA
Included in the Opera with Opra theater are productions born out of the awareness of wanting to juxtapose puppet theater with opera. This highly personal encounter draws its essence from the centuries-old relationship in which the history of melodrama intertwines with that of puppetry. The extreme synthesis of reality and the exaltation of the spectacular element unite these two very different yet similar ways of conceiving theater, with continuous exchanges of repertoire. What persists in these performances is not the grandeur of the stage apparatus, nor the mere imitation of opera, even in its most refined form, as seen in the case of the Salzburg puppets. What prevails is the emotional force of the narrative, the epic significance of the characters from melodrama, improbable yet vivid, on par with the puppets. This is not about staging opera in miniature or substituting puppets for singers. Rather, it’s the convergence of two theatrical languages—popular and courtly simultaneously—that meet and converse. These are autonomous performances that, in essence, do not betray the spirit of the great composers nor that of puppet opera. Instead, it’s as if distant roots are reconnected by discovering themselves as kindred.
On stage, the music and the characters of melodrama mingle, interpenetrating, from the paladins to the Saracens, from the puppets in pageboys to the fighters, to the “oprante,” the engine of the entire action.
Medusa is Giacomo Cuticchio’s latest creation, in which the traditions of puppet opera and opera coexist. Luca Ferracane’s libretto pays homage to the great poets of 18th-century melodrama (Zeno and Metastasio) and is therefore in verse (novenaries and endecasyllables). But unlike Baroque melodrama, which usually included a happy ne, here the tragic heroine meets an unhappy fate.
The plot draws inspiration from the mythical tales that recount the story of the Gorgon, specifically those from the Hellenistic age. According to sources, a beautiful maiden was transformed into a monster by the goddess Athena, angered by the desecration of her sanctuary after the young woman’s encounter with the sea god Poseidon. The figure of Medusa has an inseparable connection with Sicily, a land that has been a melting pot of countless civilizations, both hospitable and perennially trampled, much like the fate of the beautiful maiden Medusa, destined by Fate to be cursed by a goddess and immortalized in her final breath: a stifled scream that invokes the desire of men. Alongside Giacomo Cuticchio, young Sicilian authors and musicians collaborated on bringing this work to life, resulting in a passionate and professional ensemble, guided in its staging by the skillful hands of Mimmo Cuticchio.
Tragedy in music
Scenic conception and direction Mimmo Cuticchio
Music Giacomo Cuticchio
Libretto Luca Ferracane
Operators Mimmo and Giacomo Cuticchio
Stage assistants Tania Giordano and Giuseppe Airò
Costumes Tania Giordano
Characters Medusa (soprano) Federica Faldetta; High Priestess, Amphitrite, Athena (soprano) Corinna Cascino; Poseidon (baritone), Francesco Vultaggio
Nereid priestesses (women’s chorus) Maria Elisabetta Trupiano; Rosalba Aurora Ducato, Carmela Caponetto, Federica Giglio, Sonia Sala, Giorgia Gabriele, Chiara Geraci, Aurora Bruno
Tritons (men’s choir) Davide Vitale, Chang Hui Han, Emanuele Tidei, Andrea Albeggiani, Fabrizio Sebastien Jacquin, Alessandro Patti, Fabrizio Musumeci
Instrumental Ensemble:
Conductor Salvatore Barberi
Transverse flute Alessandro Lo Giudice
Soprano saxophone Nicola Mogavero
Bassoon Filippo Barracato
Bass clarinet Francesco Maranto
1st trumpet in C Sergio Caltagirone
2nd trumpet in C Calogero Lupo
Trombone Fabio Piro
Tuba Davide Leone
Percussion Giulia Lo Giudice
Piano Giusy Cascio
Harpsichord Licia Tani
First violins Marco Badami, Francesco Lamanna, Alessia La Rocca, Virginia Gurrera, Gioel Caronna, Giuseppe Di Chiara
Second violins Francesco Nardella, Davide Rizzuto, Michele Savarino, Filippo Mercanti, Salvatore Passantino
Violas Massimo Cantone, Antonio Buono, Adeaide Filippone, Valerio Vassalo
Cellos Paolo Pellegrino, Giuseppe D’Amato, Arianna Ciancimino
Double basses Walter Roccaro, Dario Ammirata

